Education, psychology, the arts and history all tie together when we explore using masks as a learning tool. This creative workshop will demonstrate some...

Using Masks for Learning

Location:

2000 NSW
Australia

Venue:
The University of Newcastle
Using Masks for Learning

Featuring

David Roy

Echoing the sentiments of Nelson Mandela, who once boldly suggested that education is the ‘most powerful weapon’ we have to change the world, the University of Newcastle’s (UON) David Roy believes effective teaching is key to not only developing literate and numerate children, but also – and perhaps more significantly – children with a concrete sense of self. The passionate School of Education Program Convenor’s studies delve deep into the use of what he terms “diverse learning techniques,” demonstrating the value of Creative Arts in particular as a tool that uniquely fosters emotional and social intelligence.

“I’m interested in supporting the large groups of kids who are ignored and/or disaffected by school as well,” David elaborates.

“Often their ‘quirky’ behaviours are explained away with diagnoses of autism or ADHD.”

“Maybe they’re just bored though.”

At the same time insisting education research is in the grave position science was 100 years ago, the dedicated scholar is also hoping to elevate perceptions of the fledgling field through his own evidence-based investigations.

“The overall aim is to inform best practice,” he affirms.

“I want to improve our country’s education system so that every child, including the ones who don’t necessarily fit the industrial mould, can achieve at school.”

THE ART OF THE ARTS

David took a roundabout route to get to this point, professionally involved in both the theatre and music worlds before training and eventually working as a teacher for 17 years. Seamlessly segueing into academia in 2009, the Scottish native elected to commence a PhD at the UON.

“My thesis focused on masks and education,” he recalls.

“The former are synonymous with Drama and can do very interesting things, but they are not required in the curriculum.”

“So we have no idea if they are used – let alone if they have any impact.”

Undertaking a mix of both quantitative and qualitative research methods throughout his five-year candidature, David ambitiously looked to provide the first empirical data set on the subject. Talking primarily to school-aged children about their learning processes, the published author uncovered a number of intriguing discoveries.

“I found that teachers like masks but most aren’t trained in their use,” he reveals.

“Universities therefore need to do more in the way of education.”

“More importantly, to see students who once markedly suffered from neurological conditions or felt isolated suddenly disappear in that they were not identifiable in behaviour or engagement to the neurotypical children, was really pleasing.”

“The students recognised this too.”

Submitted in mid 2016, David’s doctoral dissertation has already led to five publications. Another three are currently being reviewed by journals.

A NEED FOR NETWORKING

Taking “great pride” in the fact that he teaches across three UON campuses, the Callaghan-based educator is now looking to expand his research focus and collaborate with other disciplines. Chiefly concentrating on teaming up with those in the health, social sciences and psychology fields, David is seeking to study sensory processing disorders and figure out how best to support children with said diagnoses in the classroom.

“I’m also looking at ways to get kids with a disability involved in the Arts,” he shares.

“Drama can be used as a tool to support multiple curricula areas – we just need to know if it has any attainment or engagement impact for students.”

“My feeling is that is does.”

Access and Inclusion

  • Wheelchair Accessible - Access to the venue is suitable for wheelchairs (toilets, ramps/lifts etc.) and designated wheelchair spaces are available.

Event Details

Education, psychology, the arts and history all tie together when we explore using masks as a learning tool. This creative workshop will demonstrate some of the creative and innovative methods of teaching that are utilised at the University of Newcastle. This workshop will develop your awareness of self. The workshop will illustrate how masks create an opportunity for the physchological to meet the physical.

Aims

This creative workshop aims to explore masks from pre-history to current usage and will look at how to use masks as a tool for developing performance and communication skills.

Outcomes

Participants will work with masks in an interactive setting, exploring how they can be used as a transformational tool to allow explorations of physical theatre and identity.

At the completion of this workshop, participants will have a greater knowledge of their own physicality and communication as well as developing presentation skills.

Content

This creative workshop will cover the following content:

  1. Introduction – Context
    1. Ritual
    2. Theatre: Greek – Commedia dell’Arte – Meyerhold - Mnouchkine
    3. Society – Carnival – Halloween – Politics
       
  2. Warm Up
    1. Health and Safety
    2. Knowing a mask
    3. Best practice
       
  3. Physical release: Copeau and Lecoq
    1. Self-awareness
    2. Isolated movements
  1. Discipline: Asia and Decroux
    1. Movements
    2. Blocking
  1. Communicating without words: Brecht and Brook
    1. Tableau
    2. Script subtext
  1. Movement and meanings:  Meyerhold
  1. Rehearsing with masks:  Mnouchkine
  1. Tableau Part 2: Bogart
  1. Next Steps: Barba

Audience

This workshop is particularly suitable for, but not limited to:

  • Educators
  • Performers
  • Teenagers/adults
  • Those with an interest in performance arts
  • Individuals involved in public speaking

Delivery Style

This will be delivered as an interactive workshop consisting of a instructor lead lecture, group and individual activities. This training approach allows you to work through concepts introduced by the instructor in an application-focused teaching environment. You will challenge your understanding of the concepts and consider their application.

Prerequisites

This workshop has no prerequisites and is open to all members of the public 15 years of age and above.

Recommended Readings

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Access and Inclusion

  • Wheelchair Accessible - Access to the venue is suitable for wheelchairs (toilets, ramps/lifts etc.) and designated wheelchair spaces are available.